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David Watkin is active as a teacher and writer.
He has given talks and classes and coached at conservatoires all over Britain and in Europe and currently coaches Chamber Music at the RSAMD, Glasgow. His article ‘Beethoven and the Cello’ was published by Cambridge University Press in Performing Beethoven ed. R Stowell and he has written numerous articles about nineteenth-century performance practice for The Strad as well as book reviews. He has written numerous concert programme notes, CD liner notes and enjoys giving pre-concert talks..
He is Visiting Professor at the Royal Conservatoire of Scotland, and has taught, coached, given classes, seminars, talks and led workshops at conservatoires all over Europe. He has led workshops with professional orchestras including Scottish Chamber Orchestra, Orchestra of the Age of Enlightenment, City of Birmingham Symphony Orchestra and English National Opera. Publications:
David Watkin‘Beethoven and the Cello’ in Performing Beethoven ed. R Stowell Cambridge University Press, 1994 David Watkin in Early Music 1996 ‘Corelli Op5: Violino e Violone o Cimbalo?’ (Improvised Chordal Accompaniment on the cello) Early Music Articles: Article for Gramophone: Playing Debussy and Ravel on Gut Strings read it here http://www.gramophone.co.uk/blog/gramophone-guest-blog/playing-debussy-and-ravel-on-gut-strings Articles for The Strad: Sliding through History (Portamento in late C19th string playing)
Hausman and Klengel (How two late-C19th cellists played)
Sounds Good in Theory (Theory and Performance) Book Reviews for The Strad: New Grove Dictionary
AB Guides to Performance of Baroque/ Classical/ Romantic Music
CUP Companion to String Quartet
CD liner notes include: Beethoven Quartets (Eroica Quartet hmusa) Schumann Quartets (Eroica Quartet hmusa) Beethoven Cello Sonatas (Watkin/Moody Chandos) read it here: http://www.chandos.net/pdf/CHAN%200561.pdf ------------ Citations:
‘Beethoven’s Sonatas for piano and cello: aspects of technique and performance’ In Performing Beethoven ed R Stowell Cambridge University Press, 1994
Listed in Bibliography: Clive Brown Classical and Romantic Performing Practice 1750-1900 Oxford University Press, 1999 New Grove Dictionary article: ‘Violoncello’ David Milsom Theory and Practice in Late Nineteenth Century Violin Performance Ashagte, 2003 C Lawson and R Stowell Historical Performance of Music Cambridge University Press
Published Citations: C Wieseneldt Zwischen Beethoven und Brahms, Die Violoncello-Sonata in 19. Jahrhundert Baerenreiter, 2006 Tilden A Russel in Notes, MLA /2/vol55/4, 1999 Review of Walden 100 Years of Violoncello Berard D Sherman Inside Early Music Oxford University Press, 2003 p. 212
Reviewed: Robert Levin Beethoven Forum George Barth Music and Letters 78/2, May 1997 Eva Badura Skoda Claremont, Berkeley 1997
Article in Early Music xxiv/4 Nov 1996
Listed in Bibliography: New Grove Dictionary Article: ‘Violoncello’ R Stowell ‘Cambridge Companion to the Cello’ CUP 1999 Published Citations: David Ledbetter ‘On the Manner of Playing the Adagio’ in Early Music xxix/1 Feb, 2001 Peter Walls ‘Performing Corelli Op 5’ Early Music xxv/1 Feb, 1997 Valerie Walden ‘One Hundred Years of Violoncello’ CUP, 2004 p257 Jean-Paul Montagnier Revue de Musicologie T.88/2, 2002 Review of Rolant Zappulla ‘Figured Bass Accompaniment in France’ Paul R Laird The Baroque Cello Revival Scarecrow Press, 2004 Roland John Jackson ‘Corelli’ in Performance Practice: A Dictionary-Guide for Musicians Routledge, 2005 T Slough Precedents to JS Bach’s Fugues for Solo Violin Rice University, 2010 C Hogwood Corelli Op5 Sonatas preface Baerenreiter 2010 David Lidov ‘Against Reproduction’ in Music Semiotics: a Network of Significations ed. E Sheinberg Ashgate 2012 p. 177
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